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Q & A With Davis Bunn about his book Rare Earth
When you finished writing Lion of Babylon (book 1 in the Marc Royce series), did you just keep going with the storyline and wrote Rare Earth at the same time? Or was there a time gap in between?
Normally by the time I complete a story, I have been living with the characters and the tale for about a year. What I need more than anything just then is a break. I don’t need to stop writing; I just need to write about something else. The emotions for a new book have to be fresh. The characters are not just continuing on. They are starting over. The emotions and the concepts and the tension and the theme are all brand new. The names stay the same. The rest of the universe shifts on its axis.
Normally by the time I complete a story, I have been living with the characters and the tale for about a year. What I need more than anything just then is a break. I don’t need to stop writing; I just need to write about something else. The emotions for a new book have to be fresh. The characters are not just continuing on. They are starting over. The emotions and the concepts and the tension and the theme are all brand new. The names stay the same. The rest of the universe shifts on its axis.
Marc Royce is not your typical hero. Where did you find your inspiration for his character?
As I started researching the first book in this series, Lion of Babylon, I took a flight where I was seated next to this very remarkable woman, an amazing combination of hard intelligence and great gentleness. She was reading a pocket New Testament. We started talking, and it turned out that she was a special operative, formerly with the State Department intelligence division, and now working with the Department of Defense Intel. I found myself drawn by this incredible paradox of ruthless focus and very intense calm.
Soon after this flight, I had an opportunity to meet a senior figure in the CIA. I had never had any contact with the intelligence community, and all of a sudden I was finding one door after another being opened, because both of these people—the DOD Intel officer and the CIA agent—took it upon themselves to help introduce me to their worlds. I have found this happen on a number of occasions, and these ongoing miracles humble and astound me. I drew on these people as the basis for structuring my hero.
What kind of character is Marc Royce?
He carries his faith into a world that likes to think Jesus no longer plays a role. He sees himself as the ultimate outsider, wounded by the loss of his wife, searching for a place he can call home, and an ideal worth living for—or giving his life for.
What type of research did you do for this series?
I worked in Africa for four years early in my adult life. I was not a believer at that time. I came to faith four years later. I taught in Kenya last year, the first time I had been back to sub-Sahara Africa in almost twenty years. Going back to Africa now, as a believer, has opened my eyes to many things. Seeing with the compassion of sharing faith and seeking to serve means that I do not merely observe, I share with them. I hope this comes across in my story.
I worked in Africa for four years early in my adult life. I was not a believer at that time. I came to faith four years later. I taught in Kenya last year, the first time I had been back to sub-Sahara Africa in almost twenty years. Going back to Africa now, as a believer, has opened my eyes to many things. Seeing with the compassion of sharing faith and seeking to serve means that I do not merely observe, I share with them. I hope this comes across in my story.
Research is a huge component of all of my stories. But with Lion of Babylon and Rare Earth, the situation was quite different. In both these Royce novels, I was combining knowledge gained in my previous business life with the perspective gained from my walk in faith. It has been quite a fulfilling experience, personally, to revisit these lands and see them through the eyes of our compassionate God.
What was your favorite scene to write in Rare Earth?
It is very rare that a first scene holds such a powerful connection for me. Generally it is one where there is a revelation between characters, or a defining moment when a person’s eyes are truly opened to the eternal for the first time.
It is very rare that a first scene holds such a powerful connection for me. Generally it is one where there is a revelation between characters, or a defining moment when a person’s eyes are truly opened to the eternal for the first time.
But in Rare Earth, when I shut my eyes and envision the story, it is that first scene that blazes into light. Travelling on the UN chopper from Nairobi, watching the volcano take shape upon the horizon. Marc Royce has been sent out there to fail. And to die. I really am pleased with that opening sequence.
What’s next in your writing pipeline?
The film project Unlimited, for which I wrote the screenplay, has now ‘wrapped’, that is, filming has been completed. The producer and director are now deep into the editing process. Meanwhile, I must get busy and write the novel.
The film project Unlimited, for which I wrote the screenplay, has now ‘wrapped’, that is, filming has been completed. The producer and director are now deep into the editing process. Meanwhile, I must get busy and write the novel.
I had the whole thing backwards here, doing the script first, but it has been a lot of fun, and the concept remains very fresh. So hopefully it will come alive on the page as well as the screen. Both the film and the story are titled Unlimited, and are slated for release in September 2013.
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